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    47 Ronin (2013: Carl Rinsch)

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    Masterofoneinchpunch

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    Join date : 2011-02-16
    Location : Modesto, CA

    47 Ronin (2013: Carl Rinsch)

    Post  Masterofoneinchpunch on Tue Jan 21, 2014 10:40 am

    Note this was published by moviefanfare.com

    Superflous Story

    I hate being late for a movie. I know you usually have that buffer of 12 or more minutes of trailers (except for indie and documentaries) but I still hate being late. I naively thought that since I had to work that day and I took off early for the movie that everyone else was working the day after Christmas. I had thoughts of an empty theater where I could sit where I want, put my legs anywhere and have easy access to the restroom. When I got to the line, I thought Im going to miss the beginning crap! As I am mentally pushing the people ahead of me to pull out there money and be ready to purchase their tickets, I also silently curse those who fuddle with their pockets, dropping their change and not realizing the film they want to see is much later and holding up the line. Still I thought a mad rush through the doors, trip to the restroom and I would not miss much. Crap! The restroom is out-of-order (there are others, but none near where I was going. Oh well, I will wait until later. As I get into the theater I had the joy of noticing the THX intro and realized I am just in time. Ahh, something good happened. Crap! The theater is almost full, I was not expecting that. As your pupils widen to accommodate more light you scan a place to sit down. I had a friend with me so I had to find two seats (or split up which works well if there are not combined seats.) Crap! There are two adjacent seats available in the middle. I am a little tall so squeezing my way past several people is never fun, plus the fact that one lady would not move her feet so I almost ended up falling in the next row. Why is there a coat in my chair? Luckily the owner of that took it with her and I was able to squeeze in. I thought it would be prudent to stop drinking my chai/chocolate/coffee/random ingredients drink (known as Franken-chai at my favorite coffee establishment which is close to the theater) as I realized I was not going to be able to get out until the movie was over. Crap!

    "The Way of the Samurai is in desperateness." -- Lord Naoshige

    I did not need to see another completely sacrosanct adaptation of Chūshingura. There are already lots of jidai geki versions of this story though this would be the first American remake (that I know of). It is analogous to the adaptations of Shakespeare. For example the Richard Loncraine version of Richard III uses a completely different time period, but is reverent in the use of language and tone of the original play. For me the reverence is most important, especially if you are going to add/take away elements to the plot. For aesthetics I would have preferred this to be in Japanese than in English and most of the actors would fare better in their native language, except perhaps Keanu Reeves though I would have loved to hear his Japanese. The addition of Keanu Reeves as a half-breed and his romantic sub-plot and the supernatural elements were welcome by me who just recently enjoyed Keanus first directorial film Man of Tai Chi.

    Reeves plays a Kai, a Japanese-Dutch(?) half-breed who was given up for dead as an infant and was taken in by a mystical group who have separated themselves from the Earthly world. He escaped as a teenager and was saved by Lord Asano (Min Tanaka) whom he pledged his loyalty to, though he is treated as an ainoko (this derogatory term was used post-WWII; I do not know what the term was used before) by many except those who recognize his character including his childhood friend and unfulfilled love Mika (Kô Shibasaki) who is the daughter of Asano.

    Lord Kira wants Asanos land and has procured the services of a witch to help. The Witch (Rinko Kikuchi) was bewitching and with her brewing hatred was one of my favorite female antagonists since Lady Kaede (Mieko Harada) of Ran. Though I thought they should have developed more of her backstory and how it coincides with Kai. This leads to the salient aspect of all versions of this film, Asano being forced to commit seppuku because of Kira though it is different here than in the play/movies versions and then the formation of the ronin (masterless samurai: though the film probably did not need to explain the concept several times.)

    My biggest worry was that the ending was going to be some bizarre scene of forgiveness and everybody gets what they want. While I have read many complaints about the Hollywoodization of this there are in-fact several anti-Hollywood facets to this film from the mostly Japanese cast to the ending which I wondered if any producer was trying to change while this was being made. Imagine trying to sell those aspects while trying to gets funds for the film. Seeing this in a crowded house I was worried that their might be some jeering.

    This is Carl Rinschs first full-length directorial feature and much has been made that he lost control of the feature after it went over budget (there have been conflicting reports on the amount of this.) I thought the fight scenes were done decently. There is a little too much cutting here and there during them, but nothing on the scope of Paul Greengrass. But where I thought it shined was the mixture of fantasy and chambara elements that made this an interesting hybrid. I thought the human elements were thought out well, especially the relationship between Kai and Mira as well as Kai with Ôishi (Hiroyuki Sanada: The Twilight Samurai, also recently seen him in The Wolverine.)

    It was an enjoyable film that I plan on getting when it comes out on BD/DVD. I will probably even call this underrated in a years time. I saw this in 2-D, which I normally do, and the cinematography from John Mathieson (Gladiator) looked fine, the color palette was done quite well and the sometimes gothic fantasy atmosphere came across creepily well. I would definitely be interested in anyones opinion of the 3-D aspects of the movie.

    Sources

    47 Ronin Historical Origins: It is difficult-to-impossible to keep a complete historical fidelity whether to play or movie when facts are always in question. Most of the complaints about this film being historical accurate are actually complaints about the film not being accurate with the play.
    Rotten Tomatoes: This film is pretty much panned all around and will be a box office failure (there are so many failures I have liked.) But I have to go with my gut and my feelings with watching the film. I liked it, just like I liked Abraham Lincoln Vampire Hunter (another historically inaccurate film) both cross-genre films that are completely serious about their material. Several of these critics expect their cross-genre films to be campy and cannot understand it when it is not. This is one of the biggest mistakes with reviewers who write about what they want in the film instead of what the film actually is.
    Is Carl Rinsch Still Working on 47 Ronin?
    47 Ronin Interview - Carl Rinsch (2013)

      Current date/time is Wed Mar 29, 2017 6:12 am